In case you’ve never used it, it’s a dynamic media browser-think of it as a file browser on steroids. Most people encounter Adobe Bridge ( Figure 4.11) via Adobe Photoshop. You can now quit Adobe Prelude and close the project.In your own projects, be sure to give the bin a more discrptive name that matches the content and role of the footage. The files appear in the Project panel ready for you to use.
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Be sure to check out videos #09 and #10 for more information on these tasks. You can also add descriptive markers that speed up the editorial process. You can double-click any clip and use J-K-L In and Out points and other basic editorial tools to prepare for the edit in Adobe Premiere Pro. The footage is copied and placed on the left side of the Project panel.
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Learn how to organize your media and create descriptive markers that will travel to Adobe Premiere Pro.Ĭlick Ingest to start the transfer of the media. You can navigate through the folders on the left side and use the up, down, left, and right arrows in the upper-right corner. Once the Media Browser is open, you’ll find that it is not significantly different from browsing using the OS. Spanned clips appear as a single element.Viewing and customizing the display of metadata.Narrowing the display to a specific file type, such as JPEG, TIFF, XML, AAF, and more.Auto sensing of camera data-AVCHD, Canon XF, P2, RED, Arri, Sony HDV, and XDCAM (EX and HD).The major benefits of the Media Browser include the following: Because it’s a dedicated panel in Adobe Premiere Pro, you can save it to a specific workspace or move it around so it lives in a different part of the interface. You can also quickly access it by pressing Shift+8. If you want to access a second project, you have to import it.īy default, you’ll find the Media Browser in the lower-left corner (if your workspace is set to Editing). Adobe Premiere Pro permits only one project to be open at a time. Yes, Adobe Premiere Pro projects and After Effects projects can be imported into the Project panel as well. Being able to see this meta-data makes it far easier to select from long lists of files or shots. Not only does it display the files in a straight list, but it also adjusts the view using the metadata. Its flexibility makes it superior to the standard file system import. Our favorite import method, by far, is the Media Browser ( Figure 4.3). Just make sure there is no difference in the new asset, such as duration or frame size.
If you replace an old file with a newer one (and match the name), Adobe Premiere Pro can connect to the new asset. Consider renaming or removing old files at the desktop level. There are too many stories of different versions of a graphic and editors being unsure of which one was being used. Any external materials to Adobe Premiere Pro will then live with the project. Although Adobe Premiere Pro can import files and footage from anywhere, it’s best to copy files and footage into a folder within the project. You’ll be able to go back to the “virtual tapes” if you ever need to reload. Be sure to create a verified copy or disk image of your tapeless media in your project’s folder. Here are a few key techniques to remember: Good editors start organized and stay organized from the beginning to the end of the edit. Who knows exactly what corners you cut last month (or last year). Nowhere is that statement more true than when you’re importing footage.
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